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The Veil of Manoppello

Karolina Aszyk-Treppa University of Gdansk, Poland Zbigniew Treppa University of Gdansk, Poland https://doi.org/10.12797/9788381388368.II.5.1 Referred to nowadays as the Divine Face, Volto Santo, and earlier as the Veronica, Camulia Veil—is an object measuring 17.5 × 24 cm, woven from very thin threads, approximately 100 μm (0.1 mm) thick, with gaps between Read more…

The Shroud and the Convention of the Mandylion

Karolina Aszyk-Treppa University of Gdansk, Poland Zbigniew Treppa University of Gdansk, Poland https://doi.org/10.12797/9788381388368.I.13.1 The name mandylion (Old Greek: μανδύλιον—‘towel, handkerchief, tablecloth’) refers to one of the oldest painting canons in Christian iconography. This is also how the well-known object, which is referred to as the Mandylion of Edessa due to Read more…

The Shroud in the Liturgies

Józef Naumowicz Cardinal Stefan Wyszyński University, Warsaw, Poland https://doi.org/10.12797/9788381388368.I.12 The motif of the shroud, the linen in which the body of Jesus was wrapped before being laid in the tomb, appears in the Eucharist, which is called the Divine Liturgy, the Mass, etc., depending on the Christian denomination. This cloth Read more…

The Shroud in Constantinople

Marcin Grala Pontifical University of John Paul II, Kraków, Poland https://doi.org/10.12797/9788381388368.I.5 The Shroud of Turin probably has ancient origins, but it is very difficult for historians to reconstruct its fate over so many years. The best documented period of the history of the linen, which is now kept in Turin, Read more…

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